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Sailing To Byzantium: The World of W​.​B. Yeats, volume 2

by The Winter Tree

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craazydog
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craazydog I find this album soothing and mystical. I listen to it quite often when Im creating jewelry. But I enjoy it at any time. Andrew is a real and kind down to earth person. And it shows in his music.💜
electricbrainelectricshadow2
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electricbrainelectricshadow2 Highly recommended to fans of folk and progressive music. The lyrics are literate and elegant -- I assume they're adapted from Yeats but they feel very natural in the context of this music. The vocals are expressive and comfortable with the upper register in a way which reminds me of a more grounded Jon Anderson. The arrangements are simple and acoustic-based but often incorporate just the right amount of additional touches such as flute. Lovely. Favorite track: To A Child Dancing in the Wind.
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1.
Sailing to Byzantium W. B. Yeats - 1865-1939 That is no country for old men. The young In one another's arms, birds in the trees —Those dying generations—at their song, The salmon-falls, the mackerel-crowded seas, Fish, flesh, or fowl, commend all summer long Whatever is begotten, born, and dies. Caught in that sensual music all neglect Monuments of unageing intellect. An aged man is but a paltry thing, A tattered coat upon a stick, unless Soul clap its hands and sing, and louder sing For every tatter in its mortal dress, Nor is there singing school but studying Monuments of its own magnificence; And therefore I have sailed the seas and come To the holy city of Byzantium. O sages standing in God's holy fire As in the gold mosaic of a wall, Come from the holy fire, perne in a gyre, And be the singing-masters of my soul. Consume my heart away; sick with desire And fastened to a dying animal It knows not what it is; and gather me Into the artifice of eternity. Once out of nature I shall never take My bodily form from any natural thing, But such a form as Grecian goldsmiths make Of hammered gold and gold enamelling To keep a drowsy Emperor awake; Or set upon a golden bough to sing To lords and ladies of Byzantium Of what is past, or passing, or to come.
2.
The Cap and Bells BY WILLIAM BUTLER YEATS The jester walked in the garden: The garden had fallen still; He bade his soul rise upward And stand on her window-sill. It rose in a straight blue garment, When owls began to call: It had grown wise-tongued by thinking Of a quiet and light footfall; But the young queen would not listen; She rose in her pale night-gown; She drew in the heavy casement And pushed the latches down. He bade his heart go to her, When the owls called out no more; In a red and quivering garment It sang to her through the door. It had grown sweet-tongued by dreaming Of a flutter of flower-like hair; But she took up her fan from the table And waved it off on the air. 'I have cap and bells,’ he pondered, 'I will send them to her and die’; And when the morning whitened He left them where she went by. She laid them upon her bosom, Under a cloud of her hair, And her red lips sang them a love-song Till stars grew out of the air. She opened her door and her window, And the heart and the soul came through, To her right hand came the red one, To her left hand came the blue. They set up a noise like crickets, A chattering wise and sweet, And her hair was a folded flower And the quiet of love in her feet.
3.
The Mermaid 00:41
The Mermaid by W.B. Yeats A mermaid found a swimming lad, Picked him for her own, Pressed her body to his body, Laughed: and plunging down Forgot in cruel happiness That even lovers drown.
4.
To A Child Dancing in the Wind by W.B. Yeats I DANCE there upon the shore; What need have you to care For wind or water’s roar? And tumble out your hair That the salt drops have wet; 5 Being young you have not known The fool’s triumph, nor yet Love lost as soon as won, Nor the best labourer dead And all the sheaves to bind. 10 What need have you to dread The monstrous crying of wind? II Has no one said those daring Kind eyes should be more learn’d? Or warned you how despairing 15 The moths are when they are burned, I could have warned you, but you are young, So we speak a different tongue. O you will take whatever’s offered And dream that all the world’s a friend, 20 Suffer as your mother suffered, Be as broken in the end. But I am old and you are young, And I speak a barbarous tongue.
5.
The Realists 02:21
The Realists by W.B. Yeats Hope that you may understand! What can books of men that wive In a dragon-guarded land, paintings of the dolphin-drawn Sea-nymphs in their pearly wagons Do, but awake a hope to live That had gone With the dragons?
6.
The Second Coming BY WILLIAM BUTLER YEATS Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity. Surely some revelation is at hand; Surely the Second Coming is at hand. The Second Coming! Hardly are those words out When a vast image out of Spiritus Mundi Troubles my sight: somewhere in sands of the desert A shape with lion body and the head of a man A gaze blank and pitiless as the sun, Is moving its slow thighs, while all about it Reel shadows of the indignant desert birds. The darkness drops again; but now I know That twenty centuries of stony sleep Were vexed to nightmare by a rocking cradle, And what rough beast, its hour come round at last, Slouches towards Bethlehem to be born?
7.
To an Isle in the Water BY WILLIAM BUTLER YEATS Shy one, shy one, Shy one of my heart, She moves in the firelight Pensively apart. She carries in the dishes, And lays them in a row. To an isle in the water With her would I go. She carries in the candles, And lights the curtained room, Shy in the doorway And shy in the gloom; And shy as a rabbit, Helpful and shy. To an isle in the water With her would I fly.
8.
The Witch 01:01
The Witch by William Butler Yeats Toil and grow rich, What's that but to lie With a foul witch And after, drained dry, To be brought To the chamber where Lies one long sought With despair?
9.
The Fisherman BY WILLIAM BUTLER YEATS Although I can see him still— The freckled man who goes To a gray place on a hill In gray Connemara clothes At dawn to cast his flies— It's long since I began To call up to the eyes This wise and simple man. All day I'd looked in the face What I had hoped it would be To write for my own race And the reality: The living men that I hate, The dead man that I loved, The craven man in his seat, The insolent unreproved— And no knave brought to book Who has won a drunken cheer— The witty man and his joke Aimed at the commonest ear, The clever man who cries The catch cries of the clown, The beating down of the wise And great Art beaten down. Maybe a twelve-month since Suddenly I began, In scorn of this audience, Imagining a man, And his sun-freckled face And gray Connemara cloth, Climbing up to a place Where stone is dark with froth, And the down turn of his wrist When the flies drop in the stream— A man who does not exist, A man who is but a dream; And cried, “Before I am old I shall have written him one Poem maybe as cold And passionate as the dawn.”
10.
The Hawk 03:28
The Hawk by William Butler Yeats 'Call down the hawk from the air; Let him be hooded or caged Till the yellow eye has grown mild, For larder and spit are bare, The old cook enraged, The scullion gone wild.' 'I will not be clapped in a hood, Nor a cage, nor alight upon wrist, Now I have learnt to be proud Hovering over the wood In the broken mist Or tumbling cloud.' 'What tumbling cloud did you cleave, Yellow-eyed hawk of the mind, Last evening? that I, who had sat Dumbfounded before a knave, Should give to my friend A pretence of wit.'
11.
The Stolen Child (1889) W.B. Yeats Where dips the rocky highland Of Sleuth Wood in the lake, There lies a leafy island Where flapping herons wake The drowsy water-rats; There we’ve hid our faery vats, Full of berries And of reddest stolen cherries. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world’s more full of weeping than you can understand. Where the wave of moonlight glosses The dim grey sands with light, Far off by furthest Rosses We foot it all the night, Weaving olden dances Mingling hands and mingling glances Till the moon has taken flight; To and fro we leap And chase the frothy bubbles, While the world is full of troubles And anxious in its sleep. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world’s more full of weeping than you can understand. Where the wandering water gushes From the hills above Glen-Car, In pools among the rushes That scarce could bathe a star, We seek for slumbering trout And whispering in their ears Give them unquiet dreams; Leaning softly out From ferns that drop their tears Over the young streams. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world’s more full of weeping than you can understand. Away with us he’s going, The solemn-eyed: He’ll hear no more the lowing Of the calves on the warm hillside Or the kettle on the hob Sing peace into his breast, Or see the brown mice bob Round and round the oatmeal-chest. For he comes, the human child, To the waters and the wild With a faery, hand in hand, For the world’s more full of weeping than he can understand.

about

These are my versions of the songs I presented to Nad Sylvan for his album "Spiritus Mundi". The songs are all built upon my original guitar/vocal recordings that I recorded for Nad before his involvement.

credits

released June 21, 2022

produced and mixed by Andrew Laitres

mastered by Jannis Le Wolff

music: Andrew Laitres

lyrics: William Butler Yeats

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The Winter Tree Brattleboro, Vermont

THE WINTER TREE (formerly MAGUS) is a band formed by composer/multi-instrumentalist Andrew Laitres in 1985 after a 4 year stint on the regional cover band circuit. Andrew wanted to focus his time and talents on creating original compositions.

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